本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。

Yann, a cook, and Nadia, a waitress and mother of 9-year-old boy, decide to risk everything on the purchase of a restaurant. With plenty of talent, energy, love and dreams, but no finance of their own, they find themselves pushed into a jungle of financing and bank loans that quickly overwhelms them. To bail them out, Nadia has to take a job in Canada, while Yann is forced to stay behind to save the restaurant. Together, he and the boy confront a relentless avalanche of creditors, an uncaring system and the daily grind from which there is no respite… 　　From Paris to Saint-Denis, from Sables d’Olonne to Canada, the film describes the relentless social meltdown of Yann, a young cook, and his girlfriend, Nadia who become caught in a downward spiral of over indebtedness. Motivated by a deep sense of urgency within the current economic context, Cédric Kahn confirms his strength as a director and his ability to elicit breathtaking performances from actors.

Yann, a cook, and Nadia, a waitress and mother of 9-year-old boy, decide to risk everything on the purchase of a restaurant. With plenty of talent, energy, love and dreams, but no finance of their own, they find themselves pushed into a jungle of financing and bank loans that quickly overwhelms them. To bail them out, Nadia has to take a job in Canada, while Yann is forced to stay behind to save the restaurant. Together, he and the boy confront a relentless avalanche of creditors, an uncaring system and the daily grind from which there is no respite… 　　From Paris to Saint-Denis, from Sables d’Olonne to Canada, the film describes the relentless social meltdown of Yann, a young cook, and his girlfriend, Nadia who become caught in a downward spiral of over indebtedness. Motivated by a deep sense of urgency within the current economic context, Cédric Kahn confirms his strength as a director and his ability to elicit breathtaking performances from actors.

对女王和英国皇室行事作风充满赞扬的片子，据说拍摄公司 RDF 做了一年的工作，才得到皇室信任，准许出入皇室内部，贴身拍摄。片名原来叫 A Year with the Queen (《女王的一年》)，现在改为 Monarchy: The Royal Family At Work (《工作中的皇室》)，强调皇室作为名义上的国家元首，其实也是公务繁忙，女王兢兢业业，手下精明干练，既坚持传统－－皇家厨房中还在用刻着 V.R. (维多利亚女王)的大锅，又与时俱进－－女王在美国的演讲特意提到最近发生的维吉尼亚校园枪杀案。受采访者从布希总统夫妇到旁观游客，个个表达钦佩赞美之情。

对女王和英国皇室行事作风充满赞扬的片子，据说拍摄公司 RDF 做了一年的工作，才得到皇室信任，准许出入皇室内部，贴身拍摄。片名原来叫 A Year with the Queen (《女王的一年》)，现在改为 Monarchy: The Royal Family At Work (《工作中的皇室》)，强调皇室作为名义上的国家元首，其实也是公务繁忙，女王兢兢业业，手下精明干练，既坚持传统－－皇家厨房中还在用刻着 V.R. (维多利亚女王)的大锅，又与时俱进－－女王在美国的演讲特意提到最近发生的维吉尼亚校园枪杀案。受采访者从布希总统夫妇到旁观游客，个个表达钦佩赞美之情。

Gaultier的工作，由他自己讲述。 　　Jean Paul Gaultier 的工作，是做衣服。他设计服装，更在将这些衣服披挂、在模特身上重塑、创造布料的过程中——发明服装。 　　Gaultier在摄像机前重现他最具代表性的十二组作品。裙子在我们眼前一一出现，而我们追随着Jean Paul Gaultier在创意和材料之间行走的思想。紧身胸衣，圆锥形的胸衣，障眼法，海魂衫，领航系列：例如文身印花，男式裙装...他带着幽默为我们解释这一切。

Gaultier的工作，由他自己讲述。 　　Jean Paul Gaultier 的工作，是做衣服。他设计服装，更在将这些衣服披挂、在模特身上重塑、创造布料的过程中——发明服装。 　　Gaultier在摄像机前重现他最具代表性的十二组作品。裙子在我们眼前一一出现，而我们追随着Jean Paul Gaultier在创意和材料之间行走的思想。紧身胸衣，圆锥形的胸衣，障眼法，海魂衫，领航系列：例如文身印花，男式裙装...他带着幽默为我们解释这一切。

J.J. Fate again shows us how accidents aren't his fault, but instead are the result of carelessness. Donald is Mr. Careful at home, but at work, he starts right off by falling down the stairs. He has run-ins with a punch press, flammable paint, a conveyor belt, loose clothing, a monkey wrench, and other problems.